Guest Artists of the 2019 SWOSU Jazz Festival
Josh Hanlon
Josh Hanlon's love of music has spanned five continents. He has played piano with luminaries of country music, musical theatre and film, and almost every other genre, but he is first and foremost driven by a love of jazz. He has two albums to his credit as a leader and several more as a sideman, and maintains an active career as a freelance musician, and member of Stockton Helbing's Quintet. He was born in Nova Scotia to a musical family. As a high-school teen, Hanlon was already appearing with the St. F.X. Big Band on national radio program JazzBeat. Following undergraduate jazz study at St Francis Xavier University, he worked as musical theater pianist, jam-band keyboardist, and shipboard musical director. Eventually, Josh moved to Texas to study at the most storied institution in jazz education, the University of North Texas, where he flourished and performed with the "1:00." Hanlon taught jazz piano at UNT, Brookhaven College, St Francis Xavier University and Southwestern Baptist. He performed with Jimmy Cobb, Ernie Watts and Doc Severinsen and many more. In addition to his position at Tarleton State, He maintains an active playing career in North Texas, with loving wife, Michelle. 
James Driscoll
Bassist James Driscoll has been an active member of the Dallas/Ft. Worth music scene for 20 years. He has performed with Doc Severinsen, Dan Haerle, George Garzone, Stockton Helbing, Joe McBride, Ed Soph, Marin Stamm and many more. After earning a BM in Jazz Performance from the University of North Texas, Driscoll began an adjunct faculty position at Richland College (DCCCD) where he teaches bass performance. In addition to his busy performing and recording schedule, Driscoll operates a small studio in Dallas where he composes for music production libraries and mixes and masters artist recordings.
Quincy Davis
Quincy Davis is Assistant Professor of Drumset at the University of North Texas. Prior to his appointment, Davis was Assistant Professor of Jazz Drumset studies at the University of Manitoba (Canada). His formal musical studies began during his 11th grade year at Interlochen Arts Academy (IAA). There he studied classical percussion as well as trap-set drumming. IAA is where he received his first experience playing with a jazz band. IAA proved to be an important contribution to Davis’ future successes. In 1995, Davis graduated from IAA and began college at Western Michigan University. There he studied with drum master, Billy Hart. Along with learning more about the drums, Mr. Hart instilled in Davis a deep knowledge of music, which has proven to be very important to his career. During these collegiate years, Davis played at various collegiate jazz festivals where notable musicians like Benny Green, Bunky Green, Jon Faddis, Roy Haynes, Carl Allen, Louis Hayes, and Wallace Roney heard and recognized Davis’ talents with written accolades and awards. In the summer of 2000, Davis moved to New York City. He quickly became one of the sought after “young cats" on the New York jazz scene. In New York, Davis played with many great musicians such as Wynton Marsalis, Frank Wess, Russell Malone, Eric Reed, Paquito D'Rivera, Kurt Elling, George Coleman, Eric Alexander, Mike Ledonne, Lew Tebakin, Vanessa, Rubin, Warren Vache, Ron Blake, Jon Faddis, Gerald Clayton, Clayton Brothers, Peter Berstein, David Hazeltine, Roy Hargrove, Randy Johnston, Laverne Butler, Paula West, Nicholas Payton, New York Voices, Ryan Kisor and Wessell Anderson.
Sean Jones
Music and spirituality have always been fully intertwined in the artistic vision of trumpeter, composer, educator and activist Sean Jones. Singing and performing as a child with the church choir in his hometown of Warren, Ohio, Sean switched from the drums to the trumpet upon his first exposure to Miles Davis at the age of 10. Twenty-five years later, he still cites Miles’ overall artistic vision and purity of sound as his greatest personal influence.
But it was another immortal visionary who had a most profound impact when Sean was a 19-year old student at Youngstown State University – the magnificent John Coltrane through his masterpiece, A Love Supreme – “All at once, everything just came together for me. My past, my present, my future. I knew the course I needed to pursue.” Already exhibiting a superb control of the instrument through his private studies with master trumpeter and educator Esotto Pellegrini and his intensive listening to his other primary influences, Woody Shaw Freddie Hubbard and Clifford Brown, the young trumpeter committed himself to artistic excellence the pursuit of transcendence.
Five years later, after receiving his Master’s Degree from Rutgers University, Sean had a 6-month stint with the Lincoln Center Jazz Orchestra. This marked the beginning of a relationship with Wynton Marsalis, whose personal work ethic and ability to break barriers had already made a significant impact on the emerging artist. Wynton offered Sean a permanent position as lead trumpeter and Jones remained there until 2010.
A highly respected and in-demand musician even while at Rutgers, Sean was prominently featured with a number of artists, recording and/or performing with many major figures, including Illinois Jacquet, Jimmy Heath, Frank Foster, Nancy Wilson, Dianne Reeves, Gerald Wilson and Marcus Miller. The relationship with Miller led to another highly impacting experience when Sean was selected by Miller, Herbie Hancock and Wayne Shorter for their Tribute to Miles tour in 2011.
The trust and support of those giants led Sean to a decision to focus on performing with his own ensembles. Already touring and performing regularly with his own groups while at Lincoln Center, Sean also began his longtime relationship with Mack Avenue Records, for whom he has just released his seventh recording: im.pro.vise = never before seen. He’s currently performing with the quartet on his latest CD, who have been working together since 2007 – with pianist Orrin Evans, bassist Luques Curtis and drummer Obed Calvaire. But Sean is also looking toward projects with new and larger ensembles, including orchestras. In addition, he’s planning on more forays into the world of Western classical music, while working on solidifying his pedagogy and increasing his lecturing and writing activities.
Heavily involved in education, Sean has recently joined the Berklee College of Music’s distinguished faculty as the Chair of the Brass Department. He has also taught at Duquesne University in his adopted hometown of Pittsburgh and at the Oberlin Conservatory of Music, while regularly offering master classes and clinics all around the world. In addition, Sean also serves as Artistic Director of both the Pittsburgh and Cleveland Jazz Orchestras and is working toward organizing the various Jazz orchestras all over the country. Sean is current Artist-in-Residence at San Francisco Performances and is a member of The SF JAZZ Collective.
Clearly a passionately committed, heavily focused and deeply spiritual man, Sean relies upon his serious study of philosophy – especially that of 13th century theologian and mystic Meister Eckhardt; and Don Miguel Ruiz, whose vision is drawn from the ancient wisdom of the Toltec native people of Southern Mexico – to fuel the pursuit of his expansive and generous vision. Sean currently lives in Boston with his wife Stacey.